For over 30 years, artist, educator, and curator Nayland Blake (b. 1960) has been a critical figure in American art, working between sculpture, drawing, performance, and video. No Wrong Holes marks the most comprehensive survey of Blake’s work to date and their first solo institutional presentation in Los Angeles at the Institute for Contemporary Art.
Heavily inspired by feminist and queer liberation movements, and subcultures ranging from punk to kink, Blake’s multidisciplinary practice considers the complexities of representation, particularly racial and gender identity; play and eroticism; and the subjective experience of desire, loss, and power.
The artist’s sustained meditation on “passing” and duality as a queer, biracial (African American and white) person is grounded in post-minimalist and conceptual approaches made personal through an idiosyncratic array of materials (such as leather, medical equipment, and food) and the tropes of fairy tales and fantasy.
Particular focus will be paid to work produced while Blake lived on the West Coast, first in the greater Los Angeles area as a graduate student at CalArts, followed by a decade in San Francisco—years bookended by the advancement of the HIV/AIDS epidemic in the 1980s and the “culture wars” of the 1990s.
The exhibition will be accompanied by a fully illustrated catalogue designed by Content/Object, Los Angeles, with newly commissioned essays, key reprints, archival material, and content produced by the artist and others.
On view through 26th January 2020
Ahmanson Releases Statement on Suspending 60 Year LACMA Relationship
LOS ANGELES — The Ahmanson Foundation is suspending its 60-year funding relationship with the Los Angeles County Museum of Art (LACMA) pending a clear understanding of how the works acquired over that time at a cost of more than $130 million will be displayed in the proposed new building.
Over the past few years Ahmanson has sought information about future display plans from LACMA.
“The museum has chosen to not address these concerns,” said the Foundation. “If an understanding is not met, the suspension will become permanent and The Ahmanson Foundation may need to deepen its relationship with other museums if art acquisition is to remain a funding interest.”
“It is with great sadness and much contemplation that the Foundation decided to suspend LACMA. In January 2019, we denied a purchase request because we could not resolve the issue of when or if the painting would ever be displayed.”
“It’s a regretful end to a trusted partnership where the Foundation worked closely with museum curators to acquire 114 European Old Master paintings and 15 sculptures, including one of the museum’s crown jewels, Georges de La Tour’s, The Magdalen with the Smoking Flame,” the foundation said in a statement. “The Foundation’s giving history with LACMA was guided by the museum’s mission and expressed commitment to build a world class encyclopedic museum to be enjoyed by the public at the Wilshire location.”
Despite public outcry, the existing buildings where the permanent collections have been shown are scheduled to be razed for a new building designed by Peter Zumthor. The new one-story building will replace three multi-story buildings and will have less square footage and less space for LACMA’s expansive permanent collection, including European Old Master’s. Without space to exhibit existing works, collection growth will be limited as well. The Ahmanson Foundation believes past commitments have been breached.
In 2006, Michael Govan, who had just been appointed LACMA’s director, made assurances to the foundation that if a new building were to be built “the Ahmanson Collection will be displayed with equal, and likely much better, space and galleries than today…” Govan has yet to divulge how much of the collection purchased or donated with Ahmanson assistance will be on view in the new museum and has yet to provide the Foundation with any confirmation or promise for the collection’s future display.
William Ahmanson, President of The Ahmanson Foundation, said, “It is with great sadness and much contemplation that the Foundation decided to suspend LACMA. In January 2019, we denied a purchase request because we could not resolve the issue of when or if the painting would ever be displayed.” In a 60-year history of giving, this was the first denial. Over the years The Ahmanson Foundation purchased at least one work a year. The last work acquired with funds from the Foundation was January 2017, Alessandro Algardi’s Baptism of Christ for $2,500,000.
The Foundation’s greatest concern is that the public will have limited or no access to works carefully curated and collected over decades and that these works will be removed from the Wilshire Boulevard site which was championed by The Ahmanson Foundation founder Howard F. Ahmanson Sr.
For more information about Ahmanson gifts of European art, visit www.lacma.org/publications to view the 3-volume electronic catalog.
THE AHMANSON FOUNDATION — The Ahmanson Foundation serves Los Angeles County by funding projects in the arts and humanities, education at all levels, health care, programs related to homelessness and underserved populations as well as a wide range of human services. By supporting non-profit organizations that demonstrate sound fiscal management, efficient operation, and program integrity, the Foundation strives to enhance the quality of life and cultural legacy of the Los Angeles community
Prepare Your Farewell: LACMA Ready to Tear Down Its Campus
LOS ANGELES (Curbed LA) — Heavy machinery was placed Monday in front of the the Ahmanson Building on Wilshire Boulevard to aid in pre-construction work, namely abatement, says Jessica Youn, a Los Angeles County Museum of Art spokesperson.
That caused some alarm among museum fans, who feared demolition was finally in full swing.
“We’ll paint it from life as we see the heavy machinery tear its guts out,” local arts group Roofless Painters posted on Instagram.
The abatement, which would find and remove any potentially hazardous materials in the marble-clad edifice, must be done before the building and three others at the museum can be torn down to make way for a new, divisive museum structure designed by […]
Insta-Worthy “Fleurtopia” Museum Is in LA Mall Nov 22
LOS ANGELES (TMZ) — Instagram influencers rejoice … an immersive floral concept museum is coming to Los Angeles … and TMZ has the first look inside the petal-packed palace that’s perfect for pics!!!
La Fleur Bouquets is launching Fleurtopia, an immersive floral experience, November 22 at Westfield Topanga mall in Los Angeles … and it’s about to blow up your timeline.
Check out the gallery … it’s easy to see why Fleurtopia is going to be crawling with celebs and social media stars in search of the perfect shot … there are over 20 flower photo ops, including a rose pit, concrete jungle room and infinity petal room!!!
Tickets to the exhibit are $28, and you get an hour inside to smell the flowers and snap your pics … but hey, totally worth it for IG likes right?!?
Move aside Candytopia and Museum Of Ice Cream … it’s time for flower power!!!
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This Just In…
- Petition Circulating to Ask Judge to Keep Ed Buck in Jail
- RAGE is Latest Venue to Fall Victim to the Pandemic
- Koretz Won’t Back ‘Uplift Melrose’ Plan
- Man Sentenced for Hit-and-Run Death of Pedestrian on Sunset
- Beverly Grove Man Charged for COVID Relief Loan Fraud
- County Hospitals Receive 300 iPads for Patients to See Family
- Processions to Cedars Will Salute Healthcare Workers on National Nurses Day