LONG BEACH (CBSLA) — A woman was taken into custody on suspicion of DUI after police say she drove straight into a Long Beach roundabout and was launched several feet into the air.
The crash happened just before 2 a.m. Thursday at 4th Street and Daisy Avenue. Surveillance video captured the astonishing scene.
The video shows a BMW speeding westbound and into the roundabout and flying 15 feet into the air […]
Quarantined Chinese People Came Together Creating Hope, Humor & Art
by Belinda Kong for The Conversation
Fear and blame appear to be fast becoming Americans’ defining emotions around COVID-19. Headlines seem to offer either worst-case estimates or government leaders’ mutual accusations.
Amid the bewildering figures and contradictory political narratives, it is important to recall that numbers and governments are abstractions – whereas people actually live with and through disease. By fixating on the former, we risk losing sight of the human dimensions of epidemic life.
As a scholar researching the cultural aspects of the 2003 SARS epidemic, I too initially focused on geopolitics and biosecurity. But what I discovered in addition – rarely discussed but vitally humanizing – were the vibrant forms of everyday communal life generated by SARS at its very epicenters.
Under conditions of obligatory isolation and social distancing, common people invented new kinds of sociality and new genres of epidemic expressions. With COVID-19 now even more than SARS, the Chinese internet and social media offer a cornucopia of examples of epidemic communities brought together by heart, humor and creativity.
One early set of viral videos surfaced in Wuhan just five days into the city’s lockdown. On the night of Jan. 27, residents shouted “jiayou” – literally “add oil,” meaning “hang in there” or “don’t give up” – out their apartment windows, in a spontaneous burst of solidarity. It was a demonstration of collective strength and defiance, of people’s refusal to be quelled by the virus and the quarantine, and their desire to cheer each other on.
One of these clips, uploaded onto YouTube by the South China Morning Post, has received over a million hits, with netizens from numerous Asian countries echoing “Wuhan jiayou!” in encouragement. Indeed, the refrain has flourished into a rallying cry among an international public on social media, despite the Chinese government’s attempts to co-opt it as a slogan for ethnonational patriotism.
This spirit of reciprocal support extends to the care of animals. The Wuhan lockdown has stranded tens of thousands of residents outside the city, leaving an estimated 50,000 pets trapped in unattended homes. Through social media, some pet owners connected with Lao Mao (“Old Cat”), who heads a team of volunteer animal rescuers in Wuhan. These rescuers now roam the city and sometimes break into deserted homes to feed abandoned cats and dogs.
Outside Hubei, other animal lovers likewise help those stuck inside the province look after their pets at home. These tales of animal caretaking, even in times of human crisis, can usefully offset perceptions of Chinese culture as simply one of cruel and unbridled animal consumption.
Another unexpected focal point for communal care is the face mask. Across China, masks have become a powerful vehicle for enacting goodwill, generosity and fellowship during the epidemic. In one viral video from Anhui, an anonymous Good Samaritan was captured on surveillance camera dropping off 500 masks at a local police station. As he hurried away, two officers ran outside to salute him.
This video in turn inspired the Hong Kong-based singer G.E.M. (Gloria Tang/Deng Ziqi) to compose “Angels,” a song that garnered nearly 600,000 hits within the first day of its upload. A tribute to ordinary people’s small acts of fortitude and kindness during the outbreak, the music video opens with the Anhui clip and then splices together other moving scenes, including a train employee gifting a mask to an elderly woman passenger and a man distributing free masks to travelers in an airport abroad.
This creative energy has also spurred China’s folk humor culture. In locked-down sites across the country, social media is spawning a new genre of quarantine humor. On Weibo, WeChat and Douyin, memes of quarantine boredom and stir-craziness proliferate.
Netizens record themselves singing the lockdown blues by rescripting classic tunes, fishing from home aquariums, playing mahjong with plastic bags over their heads, playing solo mahjong, playing living-room badminton and choreographing wacky dance moves.
People also showcase their creative flare in donning protective gear and venturing out to neighborhood convenience stores and parks in inflatable costumes of T-Rex dinosaurs, green aliens and Christmas trees. When they run out of face masks, some half-jokingly substitute with bras, sanitary pads, and orange rinds.
As Manya Koetse reports from Beijing, these social media trends allow people to “mock neighbors, their friends or family, or even themselves in the extreme and sometimes silly measures they are taking to avoid the coronavirus.” But more than mockery, the very sharing of these memes is a constructive and healing social act. In times of high stress and distress, to sustain these virtual communities is to deliver shared recognition, concern and laughter.
This is not to say that China’s epidemic experience is solely lighthearted or affirming. Yet neither does life at epicenters have to be apocalyptic, defined by epic heroes and villains or horror scenarios of collapse and conflict.
Indeed, in other countries that have since become COVID-19 epicenters, social media offer similarly inspiring examples. Frontline health workers in Iran dance in hospital hallways to buoy their patients as well as themselves, and Italians in lockdown sing from their balconies to boost each other’s morale – in turn prompting a string of “Italy jiayou” videos from Chinese netizens.
Collectively, these chronicles attest to the idea of pandemic resilience – the possibility that disease outbreaks can be lived through with empathy, ingenuity and sheer human ordinariness.
Belinda Kong is a Professor of Asian Studies at Bowdoin College .
The Conversation publishes knowledge-based journalism that is responsible, ethical and supported by evidence from academics and researchers in order to inform public debate with facts, clarity and insight into society’s biggest problems.
LAPD Officers Trap Injured Opossum in Middle of Hollywood Street
HOLLYWOOD (CBSLA) — Two LAPD officers faced off with a particularly vicious culprit Monday and were able to trap him in a box.
LAPD’s Hollywood Division says Officers Kuipers and Gardners found an injured opossum in the middle of a road and went above and beyond the call of duty to get it to safety.
A TikTok video of the officers trying to take the opossum into custody was tweeted out by @LAPDHQ.
The video shows one officer using a pizza box to try and push it into another box, then dropping it and jumping back as the opossum […]
Schiff Welcomes Facebook’s New ‘Deepfakes’ Policy, Wants Other Platforms to Follow
This week, Facebook announced a new policy to combat so-called “deepfakes” and other forms of manipulated media on their platform.
The social media site announced that it will remove misleading manipulated media that violate two new community standards. One, if “it has has been edited or synthesized – beyond adjustments for clarity or quality – in ways that aren’t apparent to an average person and would likely mislead someone into thinking that a subject of the video said words that they did not actually say.” The second criteria is if the video “is the product of artificial intelligence or machine learning that merges, replaces or superimposes content onto a video, making it appear to be authentic.”
There is a big exception that could let quote a few videos through the cracks, and which is the loophole through which a lot of fake news makes it onto the platform. The new policy does not extend to content that is parody or satire, or video that has been edited solely to omit or change the order of words.
Videos that don’t meet these standards for removal are still eligible for review by one of Facebook’s independent third-party fact-checkers.
Rep. Adam Schiff (D-CA), Chairman of the House Permanent Select Committee on Intelligence, released the following statement in response to Facebook’s announcement:
“As we enter 2020, the problem of disinformation, and how it can spread rapidly on social media, is a central and continuing national security concern, and a real threat to the health of our democracy.
“For more than a year, I’ve been pushing government agencies and tech companies to recognize and take action against the next wave of disinformation that could come in the form of ‘deepfakes’ — AI-generated video, audio, and images that are difficult or impossible to distinguish from real thing. As experts testified in an open hearing in the Intelligence Committee last year, the technology to create deepfakes is advancing rapidly and widely available, to state and non-state actors, and has already been used to target private individuals, primarily women, for abuse and harassment.
“The announcement by Facebook of this new policy which will ban intentionally misleading deepfakes from its platforms is a sensible and responsible step, and I hope that others like YouTube and Twitter will follow suit. As with any new policy, it will be vital to see how it is implemented, and particularly whether Facebook can effectively detect deepfakes at the speed and scale required to prevent them from going viral. The damage done by a convincing deepfake, or a cruder piece of misinformation, is long-lasting, and not undone when the deception is exposed, making speedy takedowns the utmost priority. I will also be focused on how Facebook deals with other harmful disinformation like so-called ‘cheapfakes,’ which are not covered by this new policy because they are created with less sophisticated techniques but nonetheless purposefully and maliciously distort an existing piece of media.
“I intend to continue to work with government agencies and the private sector to advance policies and legislation to make sure we’re ready for the next wave of disinformation online, including by improving detection technologies, something which the recently passed Intelligence Authorization Act facilitates with a new prize competition.”
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This Just In…
- Petition Circulating to Ask Judge to Keep Ed Buck in Jail
- RAGE is Latest Venue to Fall Victim to the Pandemic
- Koretz Won’t Back ‘Uplift Melrose’ Plan
- Man Sentenced for Hit-and-Run Death of Pedestrian on Sunset
- Beverly Grove Man Charged for COVID Relief Loan Fraud
- County Hospitals Receive 300 iPads for Patients to See Family
- Processions to Cedars Will Salute Healthcare Workers on National Nurses Day